Saturday, December 18, 2010
【 Weak current College 】 Studio mixer and field mixer 】
Studio mixer and field mixer
Since the emergence of digital mixing console, on the scene and Studio mixer issue between it never stopped. In fact both simple and detailed signal combiners, they have the same basic functionality, but there are some application method. An obvious example is the scene mixer input signal (such as the SR24x4 VLZ Pro Mackie) usually after mix will be sent to some specific places: usually the main speaker, listener and independent balcony speakers, and so on; while the Studio speakers (such as the Mackie 32-88 bus recording mixer) is capable of independent channel input signal is sent to a multi-track recorder, or various mix effects to the control room of the listener and as a performer, headphones and a "security" audio recording device, so it tends to effectively increase routing flexibility. When you visit the studio recordings and live performances in workflow differences, their first major difference is highlighted. Although digital studio mix '-a-time processing of multiple tracks, but he does lack the connections required for the entire band physical microphone/line input interface. But it has been a considerable improvement, such as the Mackie TT24 sets the 24 microphone input interface, Yamaha 02R96 V2 set of 16 microphone input interface. The second major difference is whether there is a need to signal input or output multi-track recorder. Studio recording device must be able to be independent or group channel signal is routed to a separate audio recording device. For digital mixing consoles, because to ADAT, AES/EBU, FireWire or s/PDIF standard has joined the digital I/O, which makes the lines become very complex. Sometimes a studio recording devices also have a greater ability to listen on (different Studio listener and multiple headset is the perfect mix), and more extensive master parts also includes the ability to speak and more from the recorder, CD player and DAT etc signal input selection.
Scene mixer hassomething different to most Studio mixer features such as live mixer for mixing function makes the rectangle engineers to send a signal to the venue of interval position easier. In addition it in silence and VCA controlled group manipulation very convenience. With VCA control group, the engineers only via a switch or faders can easily on a set of input signal to mute or volume control. Through a combination of audio channels to route the signal child group but this is not the case. With VCA and mute control group of signal although has its own routing, but they continue to be subject to common control faders or mute button. While in the possession of automatic features Studio mixer on this feature basically is unnecessary. In addition, the site of the main structure of the mixer is strong and durable. Amplifier mixer benefits: amplifier mixer has many unique advantages, the following describes three points:
For live performance artist speaking amplifier mixer is definitely a great value, especially in some of the smaller venue, such as Club, coffee house, or even school/Church of function rooms. A high-quality amplifier mixer can provide you with an integrated comprehensive programmes, including: sound mixer, effects and dynamic driving indoor speakers. Compared with the system, a design elegant amplifier mixer is not only a relatively small volume, light weight and more durable and manipulate settings is also very simple and fast.
With built-in dynamic effects and effects processor, you will save a lot of settings, the adjustment and round-trip transportation on the trouble. Easy-to-you can place it in your Honda trunk with back and forth, so with it you will need to purchase a van or truck box. Interpretation of the mixer bus:
In the audio terminology, bus refers to the circuit more signal accumulation of point. In a mixer, you can find mix bus, where multiple channel signals gathered at one point and then routed to an external destination---maybe an external processor or listener to send, and so on. In General, sound mixer settings of the bus, the more its routing capacity becomes more flexible. For example, assigned to a secondary bus acoustic microphone channel can be sent to an external reverb processor, then return to the mixer, and all the drum microphone can be assigned to a mix bus going to need to raise or lower the volume of the drum unit.